Tips for Designing a Net-Zero Energy Home

In 2015, we wrote about the Iowa Nest, a net-zero energy single-family home in rural Iowa. Designed by Carl Sterner of Sterner Design, now with Sol Design + Consulting, the project combined an optimized form with passive and active design strategies to achieve net-zero energy status and an outstanding annual utility bill of only $24! 

Where most designers simply dream, Sterner and his clients have rigorously tracked and compared the performance of his as-built project against his proposals. We’ll recap some high-level design moves and share five learnings from his post-occupancy assessment.

Project Stats

– Project type: net-zero energy target, single-family residential

– Location: Iowa, USA

– Building type: single-family residence

– Floor area/occupancy: two stories, 2400 sq. ft. living area (plus unconditioned storage and garage)

– Project stage & completion date: completed in 2019

– Performance baseline: IECC 2012

– Performance goal: net-zero energy, good daylighting

The home, post-build. Image courtesy of Sterner Design.

The Design Process

The firm tested a few different design iterations to achieve its net-zero energy and daylighting goals. First, six forms were modeled in SketchUp and analyzed in Sefaira with the goal of maintaining at least 200 lux daylighting for 60% of the year in the main living areas. 

Building form iteration studies modeled in SketchUp and analyzed in Sefaira Daylight Analysis plugin. Image courtesy of Sterner Design.

The final design incorporated a narrow plate, compact shape, taller windows, and an interior “light well.”  Once the ideal conceptual design was found, the challenge of maintaining a steady, passive temperature in a mixed climate with very cold winters and hot, humid summers was addressed. Eleven design strategies were analyzed using Sefaira, leading to the decision to specify an Insulated Concrete Formwork (ICF) and a combination of small fixed overhangs and operable shading screens over the south-facing windows.

Daylight analysis using SketchUp and Sefaira. Image courtesy of Sterner Design.

All the design decisions above, plus passive strategies (natural ventilation, an optimized building fabric, shading devices), and efficient mechanical systems, resulted in a predicted 79% reduction in energy use from the code baseline. South-facing, roof-mounted solar photovoltaic panels were designed to meet the family’s energy demand and moved the project to net-zero status. 

Energy use comparison showing a conventional house design vs. the Iowa Nest design. The combination of design strategies led to a 79% reduction from the International Energy Conservation Code 2012 Baseline. Image courtesy of Sterner Design.

To test how these design strategies performed over time, the occupants have diligently tracked the home’s temperature and relative humidity at three locations across the house, and energy use metered on a per-circuit basis. This makes it possible for the owners to map energy use to specific spaces accurately. Here are five lessons that can be gleaned from the numbers and the design process. 

1] It’s okay to shape-shift.

Designers are very familiar with the concept of iterating on design ideas, and this project reinforces the value of testing and analyzing multiple building forms before locking in a selection.

The original proposal turned out to be two times over budget. By simplifying its structure and slightly reducing the floor area, Sterner Design was able to cut construction costs in half, bring the design within budget, and achieve a 30% reduction in heating & cooling loads. 

Comparing heating and cooling loads across design options. Design alternative B achieved a 30% reduction in EUI. Image courtesy of Sterner Design.

Reflecting on the journey to the final built form, Sterner recommends that “..carrying out a form study that compared compact vs. elongated forms would have made for a more efficient way to identify the ideal building form.”

Quickly modeling and analyzing these simple Whitebox models in SketchUp and Sefaira allow for the efficient comparison of buildings based on form. Image courtesy of Sterner Design.

The learning: Quickly model and analyze multiple forms to find energy and cost-saving opportunities.

2] Where possible, refine and simplify.

Changing the form and resulting complexity resulted in a 10% decrease in energy use.

One of the hallmarks of good architecture is that creativity and function merge to create a refined, almost unquestionable built form. The benefits of ‘simplifying’ to crystallize your design go beyond simply delivering great architecture and increasing buildability; it can also drive energy use down. By reducing the number of junctions, corners, and connections in his original proposal while still delivering his client’s spatial requirements, Sterner Design achieved a considerable 10% reduction in energy use. According to Sterner, “This experience has shown me how tightly intertwined design and performance are. By reconsidering some of the basic design moves, we delivered a more energy-efficient design with a 50% reduction in capital cost compared to the original design. Net Zero or Passive House design is not something that can be easily tacked on to a design at the end — it needs to be integral to the design’s DNA.” Analyzing design options early and often created the opportunity for more meaningful client conversations: hard data gave the clients the confidence to approve changes that still delivered on the brief and saved them capital and operating cost. 

 

The lesson: It’s certainly worth keeping things (relatively) simple. Crystallize your design to deliver great architecture, increase buildability, and drive energy use down.

3] Choose the right active HVAC systems.

Designers will agree that specifying the right HVAC system can elevate or tank your passive efforts. Not only can it lead to space savings and a better internal environment, but your HVAC choice can also spike capital and running costs for your client. 

Again, leveraging Sefaira’s HVAC analysis early and often to test system combinations that could work for your specific site and project could be the difference between your client spending or saving thousands of dollars. 

The Iowa Nest ended up with HVAC systems that were cheaper than conventional, but that provided better comfort and indoor air quality and contributed to it achieving net-zero. How? Firstly, by eliminating air conditioning, which is not an easy feat in Iowa’s mixed climate. 

HVAC system cost comparison for the design. The middle option was the original proposal and the third option reflects the final design. Image courtesy of Sterner Design.

The project incorporates passive design strategies such as earth berming, shading, natural ventilation, and minimization of internal loads. This reduced cooling loads to such an extent that the designer could avoid air conditioning altogether. Similarly, high insulation, good air-tightness, and passive solar design reduced heating loads to such an extent that he could specify a small, cheap, electric radiant heating system. 

 

While the inefficiency of electric radiant heat is typically a poor fit for a net-zero home, in this case, loads were so small that the energy penalty was marginal and could be easily made up by some additional PV panels.

 

The lesson: Look at HVAC and envelope strategies in combination.

 

4] Draw the details.

Detailed specification notes for the home’s window insulation. Modeled in SketchUp with comprehensive drawing sets created in LayOut. Images courtesy of Sterner Design.

 

Sterner leveraged SketchUp and LayOut to draw and produce a comprehensive set of typical and bespoke details to achieve airtightness and a stable internal environment. He specified how typical wall details, bespoke wall junctions, windows, and doors needed to be air sealed and insulated. 

The home’s air-tightness layer highlighted (left). The home’s thermal insulation highlighted (right). Image courtesy of Sterner Design.

 

This level of rigor resulted in an airtight interior with no draughts and little to no internal temperature fluctuations, despite a recorded annual temperature delta of 70oF on the site.

Temperature comparison data showing interior temperatures (blue, pink, and red lines) against. outside temperature (black line) with no active heating on during the polar vortex of February 2021. The design delivers steady, comfortable internal temperatures despite exterior fluctuations. Image courtesy of iowanest.com.

 

The Lesson: Drill down to the details and specifications to ensure an excellent build and occupant comfort.

 

5] Beyond EUI: Passive Strategies & Metrics.

 

Although EUI is great for benchmarking and understanding how good a design is overall, it is not a great design metric. It can hide potential problems, particularly around thermal comfort and high load issues. Further along the design process, an engineer observed that the original proposal, which would have cost twice the budget, would likely have had cold bedrooms in the winter and a sweltering office in the summer. This uneven distribution of heat may also have required a more complex, expensive, and/or larger HVAC system to alleviate. 

 

By performing thermal comfort analysis using the operative temperature metric, the team could eliminate the need for air conditioning, specify a smaller, cheaper HVAC system, and avoid uncomfortable rooms within the home.

Once a reasonable EUI baseline is established, it pays to assess other metrics such as peak loads, operative temperature, thermal autonomy (the percentage of time a space maintains comfort passively), providing more granular & meaningful insight during design.

The power of passive design strategies – With final project cost, including valuing the owner’s self-build time at standard labor rates, the build still cost 9% less than a conventional home.  

 

More information about the project, including thermal comfort and energy data, is available at the home’s website, www.iowanest.com.

About Carl Sterner

Carl is the Director of Design and Sustainability at Sol Design + Consulting. He oversees the design and delivery of highly sustainable projects, including Passive House, LEED Platinum, and Living Building Challenge certified designs. He believes in the power of design to help bring about a more humane, equitable, and joyous world.

Exploring Interior Design With Alastair At Free Bird Interiors

Annotated main elevation of a recent concept and completed project for a local client.

Alastair is the owner and director or Free Bird Interior.

Designer, director, and installer, Alastair built up the business from small beginnings.  He still gets involved in the workshop whenever he can.  He is the face of the business on the YouTube Channel and member site where he gives away lots of advice for the benefit of other woodworkers. 

He has appeared as a set carpenter on the BBC and Netflix ‘Interior Design Masters’ series, and produces an occasional Podcast.

Once trained as an architect Alastair moved into cabinet making, entering into the global pandemic ready to help as many people as possible create their dream homes.

After setting up and running a successful furniture company in Sheffield called Free Bird Interiors, he begun to find this skills were needed in the world of cabinet making, so he started teaching other like-minded business owners how to use SketchUp and other 3D modelling and rendering tools. 

DAY lounge units, coloured with lighting.

What does your current workflow look like?

I only go to see customers after receipt of a down payment on a quote which we provide after a phone call and brief email exchange.

My aim is to leave the customer’s house after the first survey and design visit with drawings signed off ready to move straight into production.

After meeting the customer and surveying their space, I open up my Sketchup template drawing on my laptop, with standard scenes already set up. 

I draw the customer’s room accurately using straight lines and push pull to raise the walls (3 sided interior view). Add moldings, and enough furnishings from my components library to make it recognisable.  Grab a pre-drawn dynamic cabinet – typically an alcove cupboard with shaker doors.  Stretch it to fit the space.  Same with upper bookcases etc.  Tweak the dynamic component settings with the customer’s input – changing materials, door style, adding cable outlets etc.  Go into the cabinet side panels and push-pull a hole for a power socket etc, lining up with the surveyed location of a socket on the wall.   Check it all with the customer, then add dimensions to the scenes – for example a front elevation view showing heights and shelf spacings (the dimensions will be isolated to this scene only).  Separate scenes will show cabinet internal depths etc.  

I want the customer (and my workshop) to know exactly what is to be made.  It’s a communication tool and a delegation tool.

The theory is that this drawing is literally all ready to be outputted to the CNC machine and/or panel saw with an absolute minimum of additional work.  This is not always possible but I am constantly improving the system to make it possible!

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What is your most memorable project so far?

Probably the one attached with angled shaker doors, lighting, and display shelving around a bed.   The finished result conceals a number of challenges including depth changes and sloping floor.  Different parts of the design subtly line up in ways that were quite difficult to achieve.  Meticulous planning in SketchUp made this all possible.

Free Bird Interiors most memorable project from design to completion.

The Cabinetsense extension is now essential to how I use SketchUp.  It gives me more power over scene management, and most vitally it has enabled me to create parametric (/dynamic) cabinets with machining data automatically outputted to my CNC machine.  

My second most used extension is Profile Builder 3, which allows me to quickly add realistic details to a customer’s 3D room drawing with skirtings and other moldings quickly applied from a library of common profiles which I have created.

Alastair begun his design journey as an Architect before entering the furniture making space.

I have used Layout and I appreciate it’s capabilities for creating multi-layered presentation drawings, with title boxes etc.   However I don’t find that efficient or necessary in my line of work.  I can sell my work with good quality photos of similar past projects.  Then I can best help the customer to visualise their own project by orbiting in 3D using Sketchup itself on my laptop.  I make extensive use of scenes, controlling the visibility of different aspects of the drawings using tags (layers); sections; and style settings, to create a range of separately annotated viewpoints within the same model.  I can quickly jump between them, and update them on the fly.  I find it more efficient to simply output these views as Jpegs for emailing to the customer, than to present them via Layout.

The grey and oak alcoves attached below are an example of a semi-automated design-to-production process using the CabinetSense extension. 

Predrawn dynamic cabinet components were dropped into the model, resized to suit the space, then made more bespoke with added shelves and dividers which automatically size to fill gaps due to their embedded dynamic program.  These were then automatically exported to a cutlisting program.

The grey and oak alcoves attached below are an example of a semi-automated design-to-production process using the CabinetSense extension. 

I used various CAD programs previously, 2D and 3D.  Sketchup seemed more intuitive and fluid.  I see it as an extension of my thinking process at the design stage – block modelling shapes, and laying out proportions with guidelines etc, often moving, stretching, erasing and redrawing.  But it is just as well suited to working precisely, allowing me to plan exactly how things will be built in real life once the basic design is decided.

To see more of Free Bird Interiors work, 3D modelling designs and renders, you can find him on social media here:

So who is Alistar?

 
 
 

Our brand new SketchUp top trumps give you a speedy breakdown and the 411 on everything you need to know about Alastair…

 
 
 

From where he calls home in the digital design space, to his secret SketchUp power, you’ll find the ins and the outs of his SketchUp Journey here…

 
 
 
 

If you want to have a personalised SketchUp top trump made for you, email us at marketing@elmtec.co.uk and let’s get the ball rolling! 

SketchUp Guide for Gardeners

You’re busy looking into Sketchup garden design. What a good idea! Sketchup for garden designers is a top class tool for creating gardens to remember, whether it’s a tiny, weeny space like a city centre patio or a large rural garden extending to several acres, a garden in front of an office building, a roof garden or a school garden. Once you know how to create a garden design in Sketchup, you’ll be hooked. This article tells you how to use Sketchup for garden design, and explains the many ways Sketchup for garden design will make your life easier. Read on to find out why Sketchup garden design software is so popular.

Using Sketchup for Garden Design

Here’s your guide to landscape design in Sketchup. Let’s begin with the basics. Is Sketchup good for landscape design? The answer is a resounding ‘yes’. Sketchup garden design is very good at creating great-looking garden designs to delight clients, outputting clear, accurate and professionally-designed landscapes that look beautiful, too.

Sketchup landscaping enables designers to bring their designs to exciting life with a suite of carefully-created functions plus masses of supporting information and resources, mostly free. This is what you can achieve using the software. It takes a surprisingly short time, saving you time and money as well as effort and hassle:

Download and install Sketchup. You can get yourself a free 7 day trial of Sketchup Pro here, packed with loads of cool functionality to test-drive at no charge.

  •         You’re going to have a great time having a go – Sketchup is fun to use, which helps make it easy and enjoyable to learn by trial and error.
  •         It’s good to familiarise yourself with the various aspects of the Sketchup desktop first, for example the handy tray on the right hand side.
  •         Bear in mind Hotkeys can be helpful in getting you where you want to be faster and more efficiently.
  •         You’ll want to set the relevant units for the garden’s dimensions, which you do by clicking Window > Model Info.
  •         There’s an exciting collection of predefined Sketchup styles for you to use if you like, and the default style is great for getting cracking.
  •         Obviously you’ll have defined the requirements of the garden design up front, pinning down what is wanted in the garden design, for example a fire pit, evergreen and deciduous planting, a pond, a specific theme, or a suite of desirable colours.
  •         An important aspect of the requirements definition process is the garden’s dimensions. The shape matters too, involving curves, straight lines, squares, circles and more.
  •         You can easily find a specific address on Google maps. The high level view of the property can be captured as an image and then imported into Sketchup to give you the vital detail you need about the terrain, with total accuracy.
  •         When you press ‘V’ in Sketchup it’ll provide the birds-eye view you need. You might like to configure it as a hotkey in Sketchup via Window > Preferences > Shortcuts.
  •         Use your captured image as a template to draw the property boundaries and building shapes.
  •         Now you’ve sketched out the property and structures, it’s time to set the right dimensions. Left click on the end of a line whose dimension you know, then do the same at the other end, then enter the correct dimension. This scales your initial drawing.
  •         The birds-eye view of rooftops includes the eaves. Make sure you allow for these when you create the true property footprint, using the ‘offset’ facility to set the eaves’ dimensions.
  •         To set the boundary wall thickness, select all of your boundary wall lines using shift + select, then press the offset key to set your boundary thickness.
  •         You’ll want to mark the locations of gateways and any other important aspects of the garden – paths, trees, existing flower beds, decks and so on.
  •         Remove property rooftop boundary lines using the Hotkey E, the eraser, so you only leave behind the building footprints.
  •         Make sure you draw in all the desired patios and building boundary areas

 

Bingo. There you are. You’ve created the basis for your first Sketchup garden design. As you now know for yourself that it’s fast, easy, and fun.

 

There’s more. You also access a suite of excellent resources from the 3D warehouse, including free-to-use pre-made models of outdoor furniture, garden plants, landscape plants and more.

Sketchup Garden Design Tutorials

How about Sketchup garden design tutorials? Sketchup provides a wealth of inspiring Garden and Landscape Design tutorials and courses, and there’s a great choice. Here’s one about 3D modelling for Sketchup garden design, and here’s some useful insight into Sketchup landscaping. There’s even a dedicated place to know more about Sketchup for garden design. There’s also a large collection of beautifully made YouTube tutorials, easy to follow and packed with insights. Don’t forget our free 7 day Pro trial offers the chance to try out Sketchup free garden design for yourself, no strings attached.    

SketchUp Guide for Gardeners

Are you inspired by the potential of garden design in Sketchup? Join the club. Thousands of people feel the same way, and they’re having a great time creating everything from stylish roof garden Sketchup designs to beautiful, calm Zen garden Sketchup creations. You might also want to explore the remarkable v-ray for Sketchup free trial and discover the magic of hyper-real rendering.

If you haven’t had fun with Sketchup for gardens yet, now’s your chance to give it a go. You’re going to love it. 

2021 Unwrapped

With Christmas fast approaching, welcome to our exclusive Elmtec Monthly showdown, as the official UK distributor of SketchUp we are bringing some incredible new releases in CAD design, along with renderers and hardware to elevate your workflow every month.

2021 Digital Design Highlights

So what happened in 2021? Well as we adjusted to the new normal and an altered way of life following nearly 8 months in lockdown, the digital design space didn’t slow down, in fact quite the opposite.

SketchUp Users Showcasing Their Designs & Concepts

This year has been full of ups and downs, but digital designers around us have continued to show their resilience, join together and continue to service the public.

So as a 2021 unwrapped we have incorporated below some highlights of 2021, features to know about to what to look out for in 2022.

SketchUp Pre-Design

Quickly access the graphics and environmental design research and talking points you need to introduce climate factors early in your design process.

Identify the most effective strategies for your climate and green building type, and arrive at the best architectural design response using local weather information.

For More Info Email “PREDESIGN” to this email👉🏼 sales@elmtec.co.uk

Get the valuable data you need to leverage climate insights for your project, before you begin in 3D.

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Your inside scoop on 2022...

So with 2022 fast approaching, what are some key features, software’s and overall newbies to look out for.

D5 Render

Elmtec secured distribution rights for D5 Render for the UK+ Ireland.

 

 

 

From 28th September 2021, Elmtec will be the official distributor for D5 render in the UK and Ireland. D5 Render, a real time renderer for digital designers, brings a whole new layer to the industry. 

Thanks to cutting edge technologies, it has never been easier to render ultra-realistic images with real-time raytracing, creating a transformational movement within the design industry. Watch this space for this up and coming render in 2022!

SketchUp 2022

office interior

The Annual Software Revamp for SketchUp 2022 to ensure all SketchUp users stay in touch with the latest 3D modelling technology.

Coming Soon...

Drilling down to the architectural details with Lund+Slaatto

Established in 1987, Lund+Slaatto Architects is a renowned architectural practice based in Norway. The design-focused practice offers architecture and design expertise with a team of specialist designers. L+S nurtures innovation through a creative, collaborative, and professionally stimulating work environment.

For many architects, distilling the essence of our design beliefs within our personal space can be… tricky. On the contrary, the award-winning architectural practice seems to have nailed this down. Their self-designed office perfectly encapsulates their ethos; details are thought through and thoroughly resolved. A crystallized concept carries through from exterior to interior, brought to life with a warm, crisp material palette.

Exterior and interior views of the L+S offices on the Oslo Waterfront.

Office envy aside, we chat with architect Henning Hagen Kolås and communication lead, Daniel Lund Godbolt from Lund+Slaatto Architects to explore how the team applies rigor without sacrificing speed when bringing architectural ideas to life.

Construction detail on the Arena Ulstein project. Modeled in SketchUp.

Even though many were houses, and the owners were the occupants, Murcutt used his research as a tool to bring maturity to the owner’s requirements. Building on and rooting their requests within the site’s context surely made it easier to get the owner on board with his proposals. 

Unfortunately (or fortunately) for many architects, camping on site for a week is not an option. The art of researching the local climate and weather conditions is one area of pre-design research that is often done poorly, if done at all. This omission can lead to weaker, less effective design narratives.

What are the core principles that guide your approach to a design problem?

At Lund+Slaatto, we aim to deliver viable designs and pride ourselves in finding the right solution. Our solutions prioritize the end user by ensuring spatial functionality and rationality. We carry projects through from concept to delivery, specifying robust materials, and detailing for buildability.

Interior views of the award-winning Ulstein Arena. 

What’s the starting point for any Lund+Slaatto design project?

Every project is unique, but we usually start with sketches on paper, studies in physical models, and models in SketchUp to test volumes in 3D. At weekly communal lunches, teams present their projects for architectural review.

A weekly communal lunch + internal design presentation in progress.

Our fifty-person team is made up of talented professionals with competencies across architectural design, interiors, modeling, visuals, sustainability, planning, and compliance. As such, we are able to leverage each team member’s strength to fine-tune every aspect of each project and carry through our architectural ideas.

How does this translate to your client conversations?

We recognize that it’s not always that easy to look at a plan and understand the spatial qualities of the proposal, especially to clients who typically aren’t architects. Our clients range from corporate businesses, restaurateurs, to government bodies, and our 3D models are the focal point for client meetings. We find it is easier to communicate our design intent by live clicking through SketchUp Scenes. Alternatively, clients can navigate around the model themselves, if desired. This gets them excited about the finished ‘product’ before it’s delivered.

SketchUp model of the Valle Wood project.

We typically don’t go into presentations saying, “This is the solution for you!” We share our design process and showcase the journey to our proposal. This encourages clients to participate in the design and makes their feedback an integral and important part of the design. We get responses like “I agree with your thought process, but we like this one better.” It’s a win-win for both parties where everybody is able to feel like they are a part of the process.

How is sustainability interpreted in your work?

For us, sustainability means specifying environmentally-friendly materials, thinking critically about lowering embodied energy, and our carbon footprint. We’ve designed and completed some massive timber constructions.

Facade details of Valle Wood project.

When Valle Wood was completed, it was the largest commercial building of solid timber construction in Norway. It is certified BREEAM excellent with 40% less energy consumption than equivalent office buildings. It was also a finalist in the Architecture Prize 2019.

Interiors at the Valle Wood project by Lund+Slaatto. Credit: Nyebilder.no. 

Incidentally, these sustainability considerations help us to deliver comfortable indoor climates whilst reducing energy needs. Additionally, it is vital to consider cultural and contextual sustainability. In the harsh climate of Norway, we have to deliver robust, long-lasting interiors and exteriors that do not require excessive maintenance.

Ulstein Arena on an icy day in Norway.

We also think about sustainability in broader terms, by proffering design solutions that encourage a positive change of behavior. On our Ulstein Arena project, for example, we not only delivered the buildings but also improved civic life by creating new urban meeting places for the town of Ulsteinvik.

TECHNOLOGY & WORKFLOW

How does modeling support your approach to design?

3D modeling is a necessary tool at the office for experimenting with different architectural solutions. It is an efficient way of testing alternatives, communicating decisions to the rest of the office, and presenting proposals to our clients.

Most of the architects at Lund+Slaatto model in SketchUp, from executives to junior staff, and most of our projects from the last ten years were first designed in SketchUp. We’re at a place where creating in 3D makes us design better because it enables us to test many options, fast. The ability to drill down to the details allows you to immerse yourself in the design situation you’re working on.  

 We begin concept development in SketchUp, exploring site logistics, buildability, detailing, facade design, interior, and furniture layouts as well as materiality in SketchUp. We develop and export concrete and structural details from ArchiCAD and import them back into SketchUp to aid the creative development of elements such as facades, section studies, and interiors.

Tell us how you leverage efficient workflows on fast-paced projects? 

Exterior render of the Arena Ulstein project.

A render of the Ulstein Arena at dusk modeled in SketchUp.

Using Enscape to render our SketchUp models has been transformative, particularly for competition projects which have fixed and tight timelines. We’re able to quickly present proposals with a sense of reality through semi-realistic renders. Typically, the week before a competition submission is dedicated to rendering. 

Now, our modeling efficiency saves us a full week and the speed of rendering our SketchUp models in Enscape saves us another week which we can dedicate to fine-tuning the actual design. 

That’s two whole weeks we get back within the six-week competition timeline to focus on design. We can now iterate right until the night before a deadline is due and export great renderings in time to submit.

Tell us about one of your award-winning projects, and how it was served by your design principles.

The two uniquely-shaped volumes of Ulstein Arena in Ulsteinvik, Norway hold a sports hall, a library, meeting rooms, and other ancillary spaces. A crucial shipping industry defines the town’s cultural and material identity, and the project takes its material and formal cues from this. The various functions of the arena are clearly identifiable and create a dialogue with the city through their shape and transparency. 

Interiors at Ulstein Arena showing a rock climbing area, sports hall, and library.

Programmatic sketches showing how the Ulstein Arena integrates with the existing urban context.

Dividing Ulstein Arena into two main volumes helped adapt the building to Ulsteinvik’s small scale and dense urban structure. It meets the surrounding landscape on three levels and creates a series of new urban spaces that are directly connected to the town’s existing network of pedestrian paths. This allows locals to weave in, around, and out to get to school, or shops.

Image showing the two building volumes of Ulstein Arena.

We used SketchUp to model and maintain the highly detailed and unique geometry of the swimming and sports hall. The project went on to win the National Award for Building Quality in 2019. 

Sectional details of the Ulstein Arena project. Modeled in SketchUp.

Does the practice share 3D assets, and material palettes? How does this impact efficiency?

We have a 3D library filled with past and current models, components such as real-life furniture from manufacturers, entourage, and textures. The entire team can and is encouraged to access any asset and be inspired by or implement past details in their work. Every new team member gets an introduction to SketchUp via a shared server, and more importantly our do’s and don’ts for 3D modeling.

 

We share a broad drawing convention and modeling standards such as ensuring every piece of geometry is on Layer Zero, and grouping objects. Every team member is also introduced to special office shortcuts which are set up on every computer. Beyond the fundamentals, everyone is allowed to flex their creative muscles.

ABOUT LUND AND SLAATTO

Context, detailing, and choice of materials are central topics for Lund+Slaatto Architects. The ambition is creating projects with lasting value, both for the society and for the daily users of the buildings. Lund+Slaatto Architects was established in 1987 and is a further development of the original firm established in 1958 by acclaimed architects Kjell Lund and Nils Slaatto.

Celebrate Our 2021 V-Ray For SketchUp Challenge Winner

Josh submitted a unique swimming pool concept for his “Design Your Dream Room” Challenge, after being shortlisted and becoming a firm favourite with the public, crowning him a very worthy winner.

Josh, father of three, works for Design Engine Architects as an Architectural Assistant and also run my own visualisation business.

Shell Cove – Square Edit Facade

So Josh, How did you come up with your incredible winning concept?

As I design buildings and rooms for a living and help clients realise their ideas, I thought I would take the brief and reinterpret it into a more literal ‘dream’ like image of a room – Detracting away from the more conventional approach of conjuring up an idealised room. The result was a much more vibrant and playful approach to designing in 3D, with little to no end goal. 

Through working in this way, I was able to create the necessary separation from what I do on a day to day basis. This meant that there was no preconceived notion of what the outcome would be and the image slowly grew and evolved over time. 

As the image developed I found myself swapping out the more conventional item or finish you would expect to see and replacing it with something more quirky or fun, this approach also applied to the colouring of objects with the idea of colour theory helping to inform choice .

Inspiration for the image came from various sources, from digital artists like Charlotte Taylor of Maison des Sable and Massimo Colonna part of Ilmagma to stylised cinematic sets of films, architects and more traditional artists. More technically, it was a great way to test rendering techniques – volumetric fog and emissive materials that I wouldn’t use on a day to day basis.  

Nice! How to you currently use V-Ray in your workflow?

On a day to day basis for Design Engine Architects, I tend to create 3D models of small areas of buildings and external parts of buildings. These would often be quick and rough to get an idea of the type of space, detail or finish that you might be designing or specifying for a certain client. 

These would then have basic V-Ray materials applied and lighting added to simulate real life conditions, the results of which would then feed back into the design. This would provide reassurance to both myself and the client that the direction the project and design was going in, was one that would create the best and most suitable outcome.  

My general approach to each new project is that I try to learn a new technical skill or plugin for each new design project. Sketchup and V-Ray are two incredibly straightforward programs to learn, but both have the capability to create outstanding results in an incredible short space of time – something that’s invaluable in this day and age. 

What has been your proudest project worked on so far?

There are two images that I would say stand out – One is the first image that I created with Sketchup and V-Ray. The image was of my bathroom that I was renovating at the time and I thought I would see what outcome I could get from modeling it up and rendering it. 

The result of which has pretty much influenced me to start a business and work on Sketchup and V-Ray on a daily basis. The second image was one that Chaos Group used as the start up image for when you loaded V-Ray 5 onto your computer back in November 2020 up until recently. 

I was blown away that they used it and forever grateful that they did.

So who is Josh? (Other than a V-Ray Champ)

 
 
 

Our brand new SketchUp top trumps give you a speedy breakdown and the 411 on everything you need to know about Josh…

 
 
 

From where he calls home in the digital design space, to his secret SketchUp power, you’ll find the ins and the outs of his SketchUp Journey here…

 
 
 
 

If you want to have a personalised SketchUp top trump made for you, email us at marketing@elmtec.co.uk and let’s get the ball rolling! 

How Strong Design Narratives Lead to Great Designs

From its inception as a two-person startup manufacturing plasmid DNA to currently navigating the build out of it’s 14-acre campus, Aldevron has relied on SketchUp for many of its architectural and design projects. We chatted with SketchUp advocates Matt Chambers, lead strategist at Aldevron, and Chris Fischer, lead architect at BWBR architecture firm, to dive into the 3D details and explore how BWBR in tandem with ZerrBerg has helped Aldevron realize their architectural goals for the new campus.

Left; A contemporary temple. Right; A modern school hall.

No doubt, a key reason for this is the difference in design narrative. Even to a non-believer, a building “dedicated to the glory of God” would drive a completely different chain of decision-making events throughout the project’s lifecycle. 

No matter how small or large your project is, the notion of a strong design narrative that ties the project together is an incredibly powerful way for an architect to influence the project from conception to build. Most importantly, if the architect does not craft a design narrative, that void will usually be filled by something else that may lead to suboptimal outcomes.

Why a good narrative is important

Good design narratives combine an understanding of the client’s (or eventual occupant’s) requirements and needs with the unique constraints and opportunities of the site. These considerations then provide a simple narrative that can be used to test decisions throughout the project, even if the designer is no longer involved. This narrative tells the story of the project, the driving reason for being beyond basic functional needs.

Examples of design narratives include, ‘Connection with the outdoors,’ ‘Harmonious existence with the local environment,’ or ‘A community lighthouse that shows the way.’ Design narratives that tend to emerge without design leadership can include, ‘Tried and tested solutions,’ ‘Do the minimum necessary,’ or ‘Keep costs down.’

 

While the last three are possibly reasonable goals for some projects, they are not design narratives. It’s easy to imagine how they might lead to outcomes the client didn’t want.

Ingredients of a successful design narrative

The strongest design narratives combine a clear understanding of all of the following attributes:

  • The owner’s hopes and dreams for the project. Understand why they are procuring the building.
  • The needs of the eventual users of the building, who often are not the owners. 
  • The constraints presented by the site, whether it be architectural precedents or geographic and urban considerations.
  • The local climate and weather patterns.

Famed architect Glenn Murcutt is regarded for his practices surrounding design narratives, as he would often camp on a site for weeks to understand his projects’ needs better. The successful design narratives that resulted spoke to his true understanding of the needs of a project.

Glenn Murcutt’s Simpson-Lee House, Wahroonga, 1962. Image courtesy of Dezeen

Even though many were houses, and the owners were the occupants, Murcutt used his research as a tool to bring maturity to the owner’s requirements. Building on and rooting their requests within the site’s context surely made it easier to get the owner on board with his proposals. 

Unfortunately (or fortunately) for many architects, camping on site for a week is not an option. The art of researching the local climate and weather conditions is one area of pre-design research that is often done poorly, if done at all. This omission can lead to weaker, less effective design narratives.

How to incorporate climate research into a design narrative

Most architects know that considering local weather conditions and climate is important. However, if you, like many, are simply pasting a wind rose into a concept design report, then you’re missing the “so what” that makes climate research compelling. It makes the owner’s dreams more realistic and more focused.

Start with client-driven design needs.

The client’s design needs often aren’t specific enough to form a robust narrative, but in combination with climate research, they are the best starting point for developing a concept. The table below gives examples of how climate research can shape client requests into useful design narratives.

The narrative’s goal is to combine the data and the client’s desire into a memorable theme that informs design. 

The dos and don’ts of climate research

If you can only dedicate a small amount of time to climate research, you should focus on things you can use to genuinely inform your design and discuss them in a conversation with your client. Avoid being overly technical or presenting diagrams and information that cannot be easily consumed or remembered. A few simple pointers below:

Do:

  • Start by aligning with your client about the climate you’re designing in. Answer questions like, ‘What are the seasons like?’, ‘When is it hottest?’, ‘When is it coldest?’, ‘How sunny and windy does it tend to be?’. Start small and in areas where you can agree. 
  • Take the time to first think about your client’s requirements and then assess the climate information through that lens. 
  • Connect the dots for your client by using the climate data to explain recommended design solutions or approaches. For example, the client wants a lounge that opens out into a lush garden, but the climate is hot with no strong winds most of the year. That might mean you introduce a pergola with ceiling-hung fans to fulfill the brief.

Don’t:

  • Get into an argument about what the climate is like with your client. If they have anecdotal evidence of what it’s like in that location, incorporate that into your findings.
  • Present graphs and charts that are hard for non-professionals to interpret, especially without associated implications for the project.
  • Forget to tie your climate conclusions back into your design narrative.

Just like everything in design, incorporating climate research into your design narrative takes practice. Start small, listen to your client, talk about the weather, and see where the journey takes you!

Showcasing Some Incredible “Design Your Dream Room Using V-Ray” Finalists

The Shortlisted entries to our 2021 “Design Your Dream Room” Challenge Using V-Ray for SketchUp.

After weeks of hard work, the entries received for our annual “Create Your Dream Room” Challenge for digital designers using V-Ray for SketchUp were out of this world. From bedrooms, to pool parties, office spaces to bathrooms, you didn’t disappoint. 

What did the challenge involve?

After nearly two years in lockdown, we’ve all dreamed of the perfect room, whether it’s our home office with a vending machine in, a bedroom with a hot tub in the corner, or a living room looking out over the NYC skyline…

We set a challenge to our audience of Digital Designers to go wild and create the room of their dreams within our V-Ray For SketchUp system using a free 7-day trial, and bring their perfect room to life…

Entries were asked to dream big, create, render and deliver, and boy did they…

ADAM FAIRCLOUGH

CUSTOMER SUCCESS MANAGER

IVAN KOZALIEV

V-RAY CG SPECIALIST AT CHAOS

KAYSEE MARRISON

INTERIOR AND ANIMATION SPECIALIST AT ARCHILIME

Three Entries Were Chosen As Finalists By Our Panel Of Expert Judges.

Three Finalists Were Chosen By Our Expert Judging Panel Before Being Released To The Public To Decide A Winner...

 

Here’s what our Judges said:

 

 

“This Design is colourful and fun, with a unique design it stands out from the other entries, the level of detail is great and the colour palette is really beautiful, great contrast. The lighting is brilliant creating a perfect atmopshere for the design, I love the choice of HDRI sky.” 

 

 

 

Here’s what our Judges said:

 

 

“”I like the use of the environement fog, very atmospheric, the warm lighting also adds to the design, the composition of the image is good and the fur looks good on the rug!” 

 

Here’s what our Judges said:

“I love the concept of an open interior space, the image is overall clean, crisp and showing a good knowledge of render settings, I like the depth of field which we haven’t seen in the other entries.” 

So who was the winner?

Ok, Ok, we’re getting to the good bit, I know you are all waiting for, who won?

After hundreds of registered votes on various platforms it’s fair to say people had their say…

And the winner was clear...

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Think you can create simplistic, realistic designs for your clients using V-Ray for SketchUp? Give it a go with our 7-Day Free trial by clicking here. Give SketchUp Pro a try for free for 7-days here!

See How SketchUp Facilitates the Build-Out of a 14-Acre Campus for Biological Science

From its inception as a two-person startup manufacturing plasmid DNA to currently navigating the build out of it’s 14-acre campus, Aldevron has relied on SketchUp for many of its architectural and design projects. We chatted with SketchUp advocates Matt Chambers, lead strategist at Aldevron, and Chris Fischer, lead architect at BWBR architecture firm, to dive into the 3D details and explore how BWBR in tandem with ZerrBerg has helped Aldevron realize their architectural goals for the new campus.

Different views of the new Aldevron campus using SketchUp and Lumion.

Matt, tell us a little bit about Aldevron and what your role at the company has been over the years.

Aldevron is a major global supplier of plasmid DNA, RNA, and proteins to the research and clinical communities based out of Fargo, North Dakota. When I started working at Aldevron back in 2000, it was just a start-up pushing hard to expand rapidly. Our team was much smaller, so we had a ‘roll up our sleeves and get things done ourselves’ approach. 

In that vein, I started using SketchUp to help with lab reconfigurations along with operational and logistics planning. I became a visual stenographer, in that I would brainstorm with the scientists on floor layout requirements and make rapid schematic designs to fit their needs. 

“SketchUp helped us swiftly prototype spaces within the building and iterate on the fly. From the start, being able to measure accurately and visualize the spaces in 3D was invaluable. This enabled us to get our internal clients — the scientists — on board with any changes.”

The early days at Aldevron: converting a small wet lab to a lysis room.

 Once Aldevron started to get bigger, we hired ZerrBerg with design partner BWBR to work with us on expanding our campus in alignment with our success and growth. ZBA, BWBR and Gehrtz Construction Services are currently managing phase one of our expansion of the 14-acre campus.

Chris, tell us a little bit about BWBR and what your role is for the Aldevron project.

 BWBR is a top architectural firm that strives to create exceptional spaces with the majority of our work focused on complex environments. We, along with ZerrBerg architects, were specifically chosen for this project because we have a strong background in designing for the science and technology industry. I am a design leader at BWBR, and I have overseen the design team on this project. A project that includes a very knowledgeable and decisive owners group, that has been exceptional at informing and guiding the design team on Aldevron’s process and goals.  Our team is focused on achieving the highest design standards possible for the client when considering function, composition, budget, sustainability, and resilient design.

Can you tell us about the new campus and the design?

Aldevron is in the beginning phases of building out a 14-acre campus in Fargo, North Dakota. Fargo is a significant location for Aldevron, tracing back to the founders’ native roots and key connections in the area.  Michael Chambers, founding CEO and Executive Chairman, studied at North Dakota State and University in Fargo, and still maintains strong ties to the University and community.

Michael’s vision for the company and acquisition of property near the Fargo Microsoft campus were key drivers in developing a holistic layout of the master plan. Currently, we are focused on the construction phase of the new, north manufacturing facility adjacent to the existing building. This new facility will be leveraged to meet the production demands of a rapidly growing company. Considering the company’s current growth and its changing spatial needs, we must maximize the capability of this site to support Aldevron’s growing operation. 

 The master plan consists of an expansion of the biologics manufacturing facility, and the development of both an administration and an R&D building.  

A high-level look at the entire proposed facility.

The materiality, composition, and layout of the buildings were purposeful and in-line with the mission and goals of the Aldevron project:  a sense of innovation and forward-thinking were implied in the architecture while maintaining functionality and efficiency from all vantage points on campus. Thus, throughout the building, we have incorporated a clean and modern feel with thoughtful infusions of the Aldevron brand. We’ve also taken into consideration daylight, views, openness, and adaptability.  

Approaching the building from the northwest, a 25-foot cantilever thrusts out from the two-story form and encloses a large, glazed area.  A central courtyard resides between existing and new that creates a physical and visual connection between support and production areas.

This area connects to the office space which wraps around the perimeter of the floor plan to take advantage of natural light. To encourage interaction and collaboration, we’ve designed intermittent lounge areas that are easily accessible from all workspaces. 

The manufacturing facility is centrally located on the ground floor. In contrast with the more public spaces, the manufacturing facility is designed to be private due to the confidential nature of the work done in this space, but still visible through orchestrated tours.

The north production building is connected to the existing building through a modern glass walkway — in response to the local climate.

The mechanical distribution systems are on full display within the design, including airflow, acoustical baffles, and lighting. These systems lend an efficient and industrial ambiance to the space.

Could you tell us a little bit about the design requirements?

There were many design requirements based on the specific needs of the company and industry, but the biggest — and most important — was that it was a Good Manufacturing Practice (GMP) facility. With a GMP facility, you’re dealing with the U.S. Food & Drug Administration (FDA) and other government regulations and documentation that is critical to the layout of the building.  We have experience in designing GMP and other science and technology buildings, but we were also able to leverage the knowledge of the client team, who has been working and developing this unique environment.  The clients thorough understanding of their process allowed us to thoughtfully incorporate production requirements into the design.   

Other key requirements included incorporating more parking, connecting with the existing building, designing and delivering flexible, collaborative, daylit spaces. 

We collaborated with our team of engineers early on in the design process to strike the right glazing and daylight balance. The highly glazed facade allowed for an abundance of daylight, but we needed to ensure glare and overheating would not become an issue. In lieu of interior shading devices, which can be a maintenance problem if not properly controlled, we used a ceramic frit. A 40% ceramic frit on the glass removed heat gain, and glare while maintaining daylight and views. In addition, the western facades were protected with 1’-0” vertical extrusions on the curtain wall mullions.

As this campus evolves, we want the architecture to seamlessly flow from space to space with the flexibility to adapt for rapid growth. We’ve allowed for these future requirements in the master plan while keeping the current work economically viable.

 What’s your typical design workflow?

 Our workflow follows a hybrid approach with SketchUp as the primary design tool. We’ll either start by importing intricate elements (columns, beams, joists, railing systems, and stairs) from Revit into SketchUp or we’ll just model the structure straight in SketchUp. 

Once we get to the interior development, we import a mix of Revit derived DWG file elements and 3D Warehouse models. 

“3D Warehouse provides so much value as it saves us a ton of time modeling things like furniture and lighting from scratch.”

From there, we model the design gestures and specify materials in SketchUp.

With all the essentials in place, we start to customize the design based on the client’s requirements and brand. Once our team finalizes the design ideas, we prepare to present our proposal to the client. We render the model in Lumion and export real-time Images. The photorealistic output makes it easier for our client to understand how the space will look in its final state. 

 

For you and the Aldevron project in particular, what are the benefits of using SketchUp?

“Our team has always used SketchUp as our primary design tool thanks to the flexibility, ease, and speed it affords us. We’ve tried other software but found them too cumbersome — especially for conceptual design.”

We love how nimble SketchUp is and how it allows us to quickly get our design ideas out and into 3D.   We were able to efficiently and accurately design in a short period. We had less than a month to come up with the exterior version and animation of the master plan schematic design concept.

About Aldevron

Aldevron is a leader in advancing biological science. Their custom development and manufacturing services have provided scientists around the world with the essential components to accelerate research and open up their laboratories for groundbreaking science and breakthrough discoveries. Aldevron seeks to be the partner of choice for producing high-quality plasmid DNA, mRNA, proteins, enzymes, and other biologicals in support of global health needs.  

About BWBR

BWBR is a team of professionals in architecture, interior design, planning, and research who are obsessed with the performance of people and organizations. For nearly a century, the firm has designed solutions to enhance how people live, work, heal, learn, pray, and play in engaging and empowering spaces. Leveraging the power of design, BWBR transforms lives through exceptional environments.

Under Cover With 2021 Feature Films Most Exclusive SketchUp Designers & V-Ray Specialist

Luke Whitelock has been involved in the design work for various feature films including Marvel, Fox, Disney and many more, and now he is here to share his SketchUp & V-Ray Rendering Secrets with the world.

 

All Images are courtesy of Luke Whitelock Designs unless otherwise stated.

V-Ray rendered image from a recent Luke Whitelock’s set design

Maleficent: Mistress of Evil Stage Design

Luke, how do these 3D modelling & Rendering platforms help create stage and location builds?

I use a range of features on SketchUp and V-Ray to create my stage builds, it really depends on the type of designs I am creating. Since 2012, I decided to exclusively use SketchUp and Layout to create all of my construction documents which makes it incredibly easy and simple to showcase my designs to the team.

 

I also use various plug-ins (including V-Ray), I love that when I am stuck, it’s usually pretty quick and easy to find a plug-in that will do what I need to do to create world class designs.

The work we did on "Maleficent: Mistress of Evil" really pushed the boundaries of my skills and allowed me to develop my knowledge and SketchUp ability.

A Sneak Peak into Disney’s ‘Maleficent’ Set Designs 

The work above is my proudest moment as a designer so far, the work we did on “Maleficent: Mistress of Evil” really pushed the boundaries of my skills and allowed me to develop my knowledge and SketchUp ability.

I’ll block everything out quickly on SketchUp and move across to layout almost immediately where I then set up my drawing views (plans and elevations etc) that way, as I go back to SketchUp and add more detail, the drawing in layout takes care of itself. Once the initial Sketch is done, V-Ray creates a smooth transition from Sketch to render, keeping the design realistic and bringing my set designs to life.

Great, so why did you start rendering?

I first started using V-Ray as I saw a colleague using it and it looked like they were getting great result. It’s still a new feature to my designs but I love it, I wish I used it more.

You see, renders are normally the work of concept artists, that being said, I love using V-Ray and bringing my designs to life. I will usually create some white clay renders when I can.

“The Q Ship Escape Pod” Rendered as final pieces to take to the feature film team before they get to work

 

I have recently used V-Ray extensively on “The Batman” and “The Sandman” unfortunately I am not able to share those images as yet. So I have shared some SketchUp designs and renders of previous feature sets and stage builds.

Up and coming releases, sit back, grab some popcorn and get excited for 2022!

Think you can create simplistic, realistic designs for your clients and save hours on creating your clients dream masterpieces? Give SketchUp Pro a try for free for 7-days here!

So who is Luke?

 

 

Our brand new SketchUp top trumps give you a speedy breakdown and the 411 on everything you need to know about Luke…

 

 

From where he calls home in the digital design space, to his secret SketchUp power, you’ll find the ins and the outs of his SketchUp Journey here…

 

 

If you want to have a personalised SketchUp top trump made for you, email us at marketing@elmtec.co.uk and let’s get the ball rolling!